For the song that features a like phrase, see Karn Evil 9.
1974 alive album by Emerson, Lake & Palmer
| Welcome Dorsum, My Friends, to the Show That Never Ends – Ladies and Gentlemen |
 |
| Released | 19 August 1974 |
| Recorded | Feb 1974 at the Anaheim Convention Centre, Anaheim, California |
| Genre | Progressive rock |
| Length | 109:41 |
| Characterization | Manticore |
| Producer | Greg Lake |
Brain Salad Surgery
(1973) | Welcome Back, My Friends, to the Testify That Never Ends – Ladies and Gentlemen
(1974) | Works Volume ane
(1977) | |
Welcome Back, My Friends, to the Bear witness That Never Ends – Ladies and Gentlemen is the second live album past the English progressive rock band Emerson, Lake & Palmer, released as a triple album in August 1974 on Manticore Records. It was recorded in February 1974 at the Anaheim Convention Center in Anaheim, California, during the group's 1973–74 world tour in support of their fourth studio album, Brain Salad Surgery (1973).
The album was a commercial success, reaching number 4 on the Billboard 200, the band'south highest charting album in the US.[1] In the UK, the album peaked at number 6. The album is certified gold past the Recording Industry Association of America (RIAA) for 500,000 copies sold in the US. Following its release, Emerson, Lake & Palmer took an extended pause from writing and recording.
Recording [edit]
The album was recorded in February 1974 at the Anaheim Convention Center in Anaheim, California during the group's 1973–74 earth tour in back up of their fourth studio anthology, Brain Salad Surgery (1973). Its title comes from the introduction to the evidence spoken by the prove's Master of Ceremonies (United kingdom disc jockey Pete Murray) and the opening line of "Karn Evil 9: First Impression, Part 2".
To record the album, staff and equipment were brought in from Wally Heider Studios in Los Angeles, including a 24-runway mobile recording unit of measurement and a 40-input panel. Peter Granet, one of the engineers, chosen information technology "the finest recording experience I've always had".[ii] The ring too used a 4 channel quadraphonic PA arrangement on the tour. A quad mix of the album was released as a three 8-track record set; a quad LP record edition was planned for release in the Quadradisc format, but was scrapped due to engineering science issues in master recording which prevented JVC, the manufacturer, from cutting a stable master to see the format'due south specifications.
Most of the recordings on the album were offset used for broadcast on the American stone music radio testify, The Rex Biscuit Flower Hour. In 1999, these radio recordings were released on CD.
Reception [edit]
Professional ratings | Review scores |
| Source | Rating |
| AllMusic |   [3] |
| Sea of Tranquility | [4] |
AllMusic gave the album a mixed retrospective review, saying that it "makes i realise how accomplished these musicians were, and how well they worked together when the going was proficient." They praised the set for including all but 1 song from Brain Salad Surgery, and specially commended the operation of "Karn Evil 9" as beingness far superior to the studio rendition. Yet, they noted that unlike most live albums of the era, Welcome Back did not incorporate studio overdubs, limiting the ring's ability to recreate moments from their albums and resulting in poor sound quality: "Fifty-fifty the nearly recent remastered editions could not fix the feedback, the occasionally leakages, the echo, the seeming distance – the listener oftentimes gets the impression of being seated in the upper mezzanine of an arena."[3]
Runway list [edit]
Original vinyl release [edit]
| 1. | "Hoedown" | Aaron Copland, bundled by Keith Emerson, Greg Lake, and Carl Palmer | 4:27 |
| ii. | "Jerusalem" | Sir Charles Hubert Hastings Parry, William Blake; arr. Emerson, Lake, and Palmer | three:xx |
| iii. | "Toccata" (an adaptation of Ginastera'southward 1st piano concerto, fourth movement) | Alberto Ginastera; arr. Emerson | seven:21 |
| 4. | "Tarkus" - 1. "Eruption"
- two. "Stones of Years"
- three. "Iconoclast"
- iv. "Mass"
- v. "Manticore"
- half dozen. "Battlefield" / "Epitaph"
| Emerson, Lake Emerson Emerson, Lake Emerson Emerson, Lake Emerson Lake Emerson / Lake, Robert Fripp, Ian McDonald, Michael Giles, Peter Sinfield | xvi:42 |
| 5. | "Tarkus (Conclusion)" | Emerson Emerson | ten:42 |
| 6. | "Accept a Pebble" (including "All the same...Y'all Turn Me On" / "Lucky Man") | Lake | 11:06 |
| 7. | "Pianoforte Improvisations" (including Friedrich Gulda'southward "Fugue" and Joe Sullivan'southward "Little Rock Getaway") | Emerson | 11:54 |
| 8. | "Take a Pebble (Conclusion)" | Lake | three:xiv |
| nine. | "Jeremy Bender" / "The Sheriff" | Emerson, Lake | v:26 |
| 10. | "Karn Evil nine: 1st Impression" (including "Percussion Solo (Con Panache)") | Emerson, Lake, Palmer | 17:26 |
| 11. | "Karn Evil 9: 2nd Impression" | Emerson | 7:36 |
| 12. | "Karn Evil 9: 3rd Impression" | Emerson, Lake, Sinfield | 10:17 |
| Full length: | 109:41 |
CD reissue [edit]
| one. | "Hoedown" | four:27 |
| 2. | "Jerusalem" | 3:20 |
| 3. | "Toccata" | 7:21 |
| 4. | "Tarkus" - 1. "Eruption"
- 2. "Stones of Years"
- 3. "Iconoclast"
- iv. "Mass"
- 5. "Manticore"
- 6. "Battlefield"
- 7. "Aquatarkus"
| 27:24 |
| 5. | "Have a Pebble (including "However...You Turn Me On" and "Lucky Human")" | 11:06 |
| 6. | "Piano Improvisations" | xi:54 |
| 7. | "Accept a Pebble (Decision)" | three:14 |
| 8. | "Jeremy Bender / The Sheriff" | v:26 |
| nine. | "Karn Evil 9 - ane. "Karn Evil 9: 1st Impression"
- two. "Karn Evil 9: 2nd Impression"
- 3. "Karn Evil nine: tertiary Impression"
| 35:21 |
Personnel [edit]
- Emerson, Lake & Palmer
- Keith Emerson – keyboards
- Greg Lake – bass, guitars, vocals, production
- Carl Palmer – drums, percussion
- Technical Personnel
- Andy Hendriksen – engineer
- Peter Granet – engineer
- Michael Ross – package concept and design
- Carl Dun – photography
Charts [edit]
Certifications [edit]
References [edit]
- ^ "Billboard Hot 200 via AllMusic". allmusic.com. Retrieved 15 February 2012.
- ^ "Circus Raves". Circus. August 1974. Retrieved 8 October 2016.
- ^ a b Bruce Eder, François Couture & (2011). "Welcome Back My Friends to the Evidence That Never Ends: Ladies & Gentlemen, Emerson Lake & – Emerson, Lake & Palmer | AllMusic". allmusic.com . Retrieved 26 July 2011.
- ^ Pardo, Pete. "Emerson Lake & Palmer: Welcome Dorsum My Friends to the Prove That Never Ends-Ladies and Gentleman (remastered)". Sea of Tranquility . Retrieved three December 2018.
- ^ Kent, David (1993). Australian Nautical chart Volume 1970–1992 (illustrated ed.). St Ives, Northward.South.W.: Australian Chart Book. ISBN0-646-11917-6.
- ^ "Austriancharts.at – Emerson, Lake & Palmer – Welcome Dorsum My Friends to the Show That Never Ends – Ladies and Gentlemen" (in German). Hung Medien. Retrieved 22 April 2018.
- ^ "Top RPM Albums: Result 3885a". RPM. Library and Athenaeum Canada. Retrieved 27 April 2018.
- ^ "Offiziellecharts.de – Emerson, Lake & Palmer – Welcome Back My Friends to the Prove That Never Ends – Ladies and Gentlemen" (in German language). GfK Amusement Charts. Retrieved 26 April 2018.
- ^ Oricon Album Chart Book: Consummate Edition 1970–2005 (in Japanese). Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN4-87131-077-ix.
- ^ "Norwegiancharts.com – Emerson, Lake & Palmer – Welcome Dorsum My Friends to the Show That Never Ends – Ladies and Gentlemen". Hung Medien. Retrieved 22 April 2018.
- ^ "Emerson, Lake & Palmer | Artist | Official Charts". Uk Albums Nautical chart. Retrieved 22 April 2018.
- ^ "Emerson, Lake & Palmer Nautical chart History (Billboard 200)". Billboard. Retrieved 22 April 2018.
- ^ "American anthology certifications – Emerson, Lake & Palmer – Welcome Back...to the Show That Never Ends..." Recording Industry Association of America.
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